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A non-profit dedicated to cultural diversity in photography. |
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| EN FOCO | Photographers | |
 © Jaime Permuth, Untitled, Yonkeros series.  © Jaime Permuth, untitled, The Completely Visible World series, 2009. Archival pigment print, edition 1 of 5, 20x24"  © Jaime Permuth, untitled, The Completely Visible World series, 2009. Archival pigment print, edition 1 of 5, 20x24" |
Jaime Permuth Born: 1968, Guatemala Selected Exhibitions: En Foco at Pregones Theatre, Bronx, NY 2012 En Foco at John Jay Art Gallery, New York, NY 2011 En Foco at Umbrella Arts, New York, NY 2010 Daniel Cooney Fine Art, New York, NY 2010 Art Museum of the Americas, Washington, DC 2007, 2008, 2009 School of Visual Arts Gallery, 2009 Instituto Cervantes with Aperture and El Museo del Barrio, New York, NY 2009 Northlight Gallery, Arizona State University, Tempe, AZ 2008 Palacio Nacional, Guatemala 2008 Fullerton Art Museum, CA 2008 Centro Cultural Metropolitano, Guatemala 2008 Paseo de los Museos, Antigua, Guatemala 2007 The Contemporary Jewish Museum, San Francisco, CA 2006-2007 Skirball Museum, Los Angeles, CA 2006 The Museums of Port Isabel, Port Isabel, TX 2006 The University of Texas of the Permian Basin, Odessa, TX 2005 The Jewish Museum, New York, NY 2005 Yeshiva University Museum, New York, NY 2005 Irving Arts Center, Dallas, TX 2005 Center for Contemporary Arts, Abilene, TX 2004 Cooperación Española, Antigua, Guatemala 2004 Galeria Mozart, Antigua, Guatemala 2004 Instituto Guatemalteco Americano, Guatemala 2004 Museum of the City of New York, virtual exhibition 2003 Galeria Sol del Rio, Guatemala 2003 Museum of Modern Art, New York, NY 2002 Contemporary Museum, Baltimore, MD 2001 Queens Museum of Art, Queens, NY 2001 National Institute of Fine Arts, San Miguel de Allende, Mexico 2000 The Bronx Museum of the Arts, Bronx, NY 2000, 1996-97 Casa del Lago, Mexico City, Mexico 2000 The Brooklyn Museum of Art, Brooklyn, NY 1999 Billboard project in collaboration with El Museo del Barrio, NYC 1999 Leo Trotsky Museum, Mexico City, Mexico 1998 Museo Nacional de Arte Moderno, Guatemala 1998 Mary Barone Gallery, New York, NY 1997 Jerusalem Cinematheque, Israel 1989-1990 Jerusalem Artist’s House, Israel 1989-1990 Alliance Française de Jérusalem, Israel 1989-1990 Israeli Parliament (Knesset), Israel 1989-1990 Education: MPS, School of Visual Arts, New York, NY 2009 MFA, School of Visual Arts, New York, NY 1994 BA, The Hebrew University of Jerusalem, 1990 American School of Guatemala, Guatemala, Guatemala 1985 Awards: Paula Rhodes Memorial Award/SVA, New York, NY 2009 Innovation in Digital Photography Award/SVA, New York, NY 2009 National Association of Latino Arts and Culture Fund for the Arts, 2006 Texas Commission on the Arts grant, 2004 Daniele Agostino Foundation, 1999, 2004 Instituo Guatemalteco Americano, 2004 Polaroid Collections Grant, 2000 Fuji Photo Film USA, Inc., 1999 Leica Professional Services, 1999 Lindsay D. Shea, 1999 Harpo Foundation, 1999 Duggal Color Projects, 1999 Polaroid Collections Grant, 1998 Bronx Museum of the Arts, A.I.M. Program, 1995-1996 Residencies: Centro de Investigaciones Regionales Mesoamericanas, Guatemala 2003 Longwood Arts Project, 2000-2001 Cabras Project, Mexico 1998) Publications: En Foco Artist Interview: Jaime Permuth (En Foco blog video, 2012) Nueva Luz photographic journal, Volume 15#3 (En Foco: Bronx, 2011) Latent: an En Foco Exhibition (En Foco, Inc., 2010) Photographs Do Not Bend blog, 2009 Amy Stein Photography Blog, 2009 Visura Magazine, 2009 Hey, Hot Shot! blog, 2009 Dodge and Burn blog, 2009 WNYC Blog, 2009 Visual Arts Brief, 2009 Exposures, an Aperture blog, 2009 Visual Arts Journal, Surface Tension, 2009 Orlando Sentinel, 2009 Siglo XXI, 2009 The Artist’s Guide–How to Make a Living Doing What You Love (Da Capo Press, 2009) Jewcy, 2008 Revista de la Universidad de San Carlos, 2008 Prensa Libre, 2006, 2007 El Periódico, 2004, 2007 Zeek: A Jewish Journal of Thought and Culture, 2007 Tarzán López (MK Ediciones, 2007) Focus on Photography: A Curriculum Guide, ICP, 2006 Atelier Art Magazine Prague, 2006 Generations: Journal of the American Society on Aging, Vol.XXX #1, 2006 Los Angeles Daily News, 2006 Los Angeles Times, 2006 Double Exposure, 2006 Voice of America, 2006 Forty-Cent Tip: Stories of New York City Immigrant Workers (Next Generation Press, 2006) The Jewish Identity Project: New American Photography (Yale University Press, 2005) Examining Identity in Contemporary Art and Photography (The Jewish Museum, 2005) Re-trato de familia (MK Ediciones, 2005) New York Newsday, 2005 Odessa American, 2005 The New York Times, 2005 New York Daily News, 2005 The Jewish Press, 2005 The Jewish Week, 2003, 2005 Forward, 2005 New York Post, 2005 Diario La Hora, 2004 The Revealer, 2004 Family Triptych (Center for Contemporary Arts, 2004) PAJ: A Journal of Performance and Art, 2002 Teacher Magazine, 2001 Hopscotch, A Cultural Review, vol. 2#4, 2001 The Journal News, July 29, 2001 Artforum, 2001 Citysearch.com, 2001 Crossing the Line (The Queens Museum of Art, 2001) Snapshot (Contemporary Museum, Baltimore, 2000) Fotoseptiembre 2000, (Centro de la Imagen, 2000) La Vitrina, 1998, 2000 Noticias de Arte, Vol.268, 1999 Community Arts Network, APInews, 1999 The S-Files (El Museo del Barrio, 1999) Colloquia (Museo Nacional de Arte Moderno, 1998) Fotoseptiembre (Centro de la Imagen, 1998) El Nacional, Cultura, 1998 Excelsior, Revista de Revistas, 1998 Artnet, 1997 Artist Statement: "In our 21st century, an endlessly sharp and unforgiving spotlight is cast on the body, which once captured is then processed and altered by digital technologies to please the greatest number of consumers. Humanity is redefined as the vast array of spectators which decides how all should look and move through space. All spaces are common, there is no inside or outside. Adam and Eve walk through the streets of a city not unlike New York. They are naked - no matter the season or the circumstance, no matter how trivial or profound the moment. In a series of fifteen photographic tableaux, Adam and Eve play out moments depicting everyday life in a dystopic urban context. Their body language and gestures are derived from the visual codes of classical painting. This reference serves to underscore the cultural traditions that have brought western civilization to the threshold of the completely visible world." Website: |
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